Introduction to Learning Photography
Learning photography is principally concerned with teaching skills of observation – and the ways to notice the intriguing, interesting and unusual in what you see around you. Your first photography lessons will be about picture-composing devices like: framing your shot within the camera; choice of viewpoint and moment to shoot; and picking appropriate lighting. After you have learned the mechanics of photography, lessons move on to the best way to recognize pattern, line, color and tone inside the subject you intend to photograph, and the way to use such features to good effect. These are generally visual as opposed to technical areas of photography and quite a few stem from drawing and painting. When learning these photography lessons, it doesn’t matter what camera you own – cheap or expensive, digital or film, auto-everything or covered in dials and controls.
Seeing and photographing
All the world’s cameras, sensors, desktop printers, scanners, films, enlargers along with other photographic paraphernalia are nothing more than tools for making pictures. They could be very sophisticated technically, nevertheless they cannot see or think on their own. Learning photography challenges one to make successful pictures out of a specific item near you, in perceptive and interesting ways.
Anybody who starts seriously learning photography quickly discovers how it develops a remarkable ability to view the world around you. Quite simply, noticing with much greater intensity all of the visual elements – shapes, textures, colors and human situations – in familiar scenes. This is an exciting and rewarding activity on its own. The other challenge is how to put that mindless machine (your camera) in the right place at the right time, to produce a really effective photographic image out of all of these subjects. Seeing and organizing the picture is equally as essential as technical ‘know-how’ and it is only developed with practice.
To start learning photography, it’s beneficial to think about the ways seeing differs from photographing. You shouldn’t regard these differences as a barrier. The thing is that by focusing on how the scene in front of you will show up with a final print you may learn to ‘pre-visualize’ your results.
Learning photography has edges
Our eyes watch the world without being aware of any ‘frame’ hemming in what we have seen. Stop a short time and appearance – your nose, eyebrows, glasses (if you put them on) do form a sort of frame, but this is so out-of-focus and vague that you aren’t really conscious of any definite ‘edge’ in your vision. However, immediately as you look through a camera viewfinder the world is cut off to a small rectangle with sharply defined edges and corners. An important part of learning photography is to compose the scene’s essence within this artificial boundary.
You have to train up your eyes to search the scene for distractions. Check the background, mid-ground and foreground detail. Especially, always come up with a quick scan of the things inside viewfinder before pressing the button.
Our eyes are extremely sophisticated allowing people to make out details in the the dark shadows and
brightly lit parts of a scene. This is an ability that is past the capabilities of the camera. Photography generally makes darkest areas seem darker and lightest areas lighter compared to what they appeared to the eye, so your whole image ends up with much more contrast. It is very important while learning photography to understand that your eyes will see the contrast of a scene differently to the way the camera will record it.
With more experience this means that it is possible to anticipate the differences and for that reason be capable of predict more accurately how your pictures will end up
Converging lines show depth: Because the camera only supplies a ‘single-eye’ take a look at the world, photographers have to depend upon devices like converging lines to portray distance and depth of their pictures.
The camera has one ‘eye’
Another important concept when learning photography is that unlike humans, the cameras we use do not have binocular vision. Their pictures aren’t three-dimensional. They don’t photograph from two locations. When you want to show depth inside a scene you will need to imply it through devices such as the use of converging lines, adjustments to scale or adjustments to tones aided by lighting. A trick that may help you see more like your camera is to close one eye to get a more two-dimensional scene.