Outdoor photography lighting tips
Here are some photography lighting tips for the outdoors. Some of the best photographs are frequently taken at the least social times with the day – first thing in the morning, towards sunset, as well as late into the night. These are the occasions when the majority of us are usually in bed or thinking of putting our cameras away due to the fact there is not enough light. But outdoor lighting at these times has a unique soft and delicate quality that can not be found any other time of day.
Learning to get the most out of your photography requires your to see the world around you using the same impartiality as the camera lens.
Dawn and dusk Quickly changing lighting full of deep reds and long shadows.
Noon Intense contrast with short, dark, shadows.
Evening The low sun towards dusk casts a soft, warm light, enlivening scenes by adding a distinctive intensity.
Night The afterglow of sunset offers some background illumination against which the city lights glow like miniature jewels.
Early morning photography lighting tips
In the first hours of light, sunlight strikes the planet obliquely and must travel through of large volume of atmosphere before reaching you. This scatters the blue wavelengths, leaving more red lighting behind. Outdoor lighting around sunrise is typically tinted a delicate pink or red.
Mist will linger for a few hours in the early morning, turning familiar scenes into dream-like visions. To capture these images you will need to be up well before dawn. Give yourself lots of time to adjust to the light. Watch the impact the sun has as it creeps over the horizon: colors intensify each second as the lighting levels increase, and shadows seem almost to race across the landscape.
At noon, the sun is directly overhead. Because of this, there is much less atmosphere to scatter the blue wavelengths, giving a more even color temperature. Lighting is much more direct and intense with contrasts that are harsher and more sharply defined. Shadows are significantly shorter and denser in tone.
It is frequently recommended that this intensity of light is some thing that should be avoided. But, it is this very intensity that strengthens and saturates the colors about you. Glare from the sun is usually an issue, but even this can be turned to your favor. Taking care not to point the camera directly at the sun, enable the flare from its periphery to enhance contrast to such a degree that all around you is rendered as a dramatic silhouette. To accomplish this, take your light reading from the bright sky itself, thereby underexposing everything else.
Early evening lighting
During the early evening, just ahead of sunset, the outdoor lighting produces a warm, pinky glow. It really is intriguing that the more polluted the atmosphere, the more dramatic and varied the colors become. Caution is nonetheless advised here, due to the fact even the dying rays of light from a setting sun could be sufficiently strong to harm your eyes, especially if you’re focusing on them through a telephoto lens.
An added bonus at dusk is the very first streetlights twinkling on or the glow of residence lights. These can add welcome highlights to what are generally low-contrast scenes. Also, if shot on daylight-balanced film (or use a cloudy, manual, white balance setting on a digital camera), the lights will seem much more orange than they truly are. This effect may not be accurate, but is very acceptable in most instances.
Bear in mind that the outdoor lighting will be changing virtually every second. Have a tripod at hand; it is a pity to miss shots simply since you can not hand-hold the camera in the incredibly slow shutter speeds you are forced to utilize at this time of day.
In huge towns and cities there is often sufficient light for the adventurous photographer.
Street lighting, shop windows, fluorescent signs, illuminated billboards and car headlights all make useful light sources for unusual shots. You may have to abandon any expectations of recording colors accurately, but you will be amply rewarded. After rain is typically a very good time for night photography – wet roads and puddles of water reflect any offered light, giving intriguing double pictures along with a small additional illumination source to assist exposure.
Once again, you are going to want a sturdy tripod – despite the fact that it may possibly be probable to find a solid surface on which to rest the camera for these lengthy exposures. Use the self-timer delayed-release setting, or an external cable release, to assist prevent vibrations as the picture is taken.
Do not be surprised if your exposure meter fails to respond accurately to what light there is. You are going to have to operate on a trial-and-error basis by bracketing exposures. This means taking possibly three or four exposures of the same scene with distinctive shutter speed and aperture combinations. For some cameras, applying the exposure compensation dial could be the easiest technique to do this. These photography lighting tips mean exposure times of numerous seconds aren’t uncommon, utilizing the camera’s B setting.